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<channel>
	<title>Appendix Project Space</title>
	<link>http://www.appendixspace.com</link>
	<description>Appendix Project Space</description>
	<pubDate>Tue, 17 Jan 2012 02:01:21 +0000</pubDate>
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	<item>
		<title>Jasper Spicero</title>
		<link>http://www.appendixspace.com/Jasper-Spicero</link>
		<comments>http://www.appendixspace.com/following/appendixspace.com/Jasper-Spicero</comments>
		<pubDate>Tue, 17 Jan 2012 02:01:21 +0000</pubDate>

		<dc:creator>Appendix Project Space</dc:creator>
		
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		<description>Jasper Spicero 
Intriors
January 13th, 2012

In his rendered images, Jasper Spicero presents chambers optimized for status signaling and contemplation, a fantasy of aesthetically integrated techno-spirituality. Referencing equally the spaces imagined by computer game designers and lifestyle marketing - each simplified, each driven by a few key metrics - Spicero's images and objects suggest an uncomfortable causal tangle between the spaces we wish to inhabit, the creatures we wish to be, and the options that are made available to us.

"I finally understand, we have lost and we can not get enough of your things.
the foots firmly grip is the most precious.
and now understand the precious nectar is in terms of winds, water and fantasy.
vibram five have accompanied me - for a thousand years is enough.
I was Gordon I should cherish my love."

http://jasperspicero.com/HTMLS/intriors.html

Jasper Spicero was born in South Dakota and currently attends the Pacific Northwest College of Art in Portland, Oregon. 

&#60;img src="http://payload15.cargocollective.com/1/4/150276/2610420/intriors7SM.jpg" border="0" width="670" height="503" width_o="670" height_o="503" src_o="http://payload15.cargocollective.com/1/4/150276/2610420/intriors7SM_o.jpg" align="left" /&#62; &#60;img src="http://payload15.cargocollective.com/1/4/150276/2610420/intriors6SM.jpg" border="0" width="670" height="503" width_o="670" height_o="503" src_o="http://payload15.cargocollective.com/1/4/150276/2610420/intriors6SM_o.jpg" align="left" /&#62; &#60;img src="http://payload15.cargocollective.com/1/4/150276/2610420/intriors5SM.jpg" border="0" width="670" height="503" width_o="670" height_o="503" src_o="http://payload15.cargocollective.com/1/4/150276/2610420/intriors5SM_o.jpg" align="left" /&#62; &#60;img src="http://payload15.cargocollective.com/1/4/150276/2610420/intriors3SM.jpg" border="0" width="670" height="503" width_o="670" height_o="503" src_o="http://payload15.cargocollective.com/1/4/150276/2610420/intriors3SM_o.jpg" align="left" /&#62; &#60;img src="http://payload15.cargocollective.com/1/4/150276/2610420/intriors2SM.jpg" border="0" width="670" height="503" width_o="670" height_o="503" src_o="http://payload15.cargocollective.com/1/4/150276/2610420/intriors2SM_o.jpg" align="left" /&#62; &#60;img src="http://payload15.cargocollective.com/1/4/150276/2610420/intriors4SM.jpg" border="0" width="670" height="503" width_o="670" height_o="503" src_o="http://payload15.cargocollective.com/1/4/150276/2610420/intriors4SM_o.jpg" align="left" /&#62; &#60;img src="http://payload15.cargocollective.com/1/4/150276/2610420/intriors1SM.jpg" border="0" width="670" height="503" width_o="670" height_o="503" src_o="http://payload15.cargocollective.com/1/4/150276/2610420/intriors1SM_o.jpg" align="left" /&#62; .project_thumb{display:none;}</description>
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	<item>
		<title>Geoffrey KixMiller</title>
		<link>http://www.appendixspace.com/Geoffrey-KixMiller</link>
		<comments>http://www.appendixspace.com/following/appendixspace.com/Geoffrey-KixMiller</comments>
		<pubDate>Sun, 06 Nov 2011 03:14:26 +0000</pubDate>

		<dc:creator>Appendix Project Space</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">2224987</guid>
		<description>Geoffrey Kixmiller
Swimming
October 27th, 2011

Appendix Project Space presents Swimming, a body of sculpture, hand-made booklets and photographic prints by Geoffrey KixMiller. KixMiller's photographs dwell on moments of beauty made by no one, for no one, in the form of found objects and chance compositions. The unstable recipe of pattern, absurdity and expressiveness that he finds in these moments is extrapolated to the grouping and reproduction of the images. During his two-week residency at Appendix, KixMiller worked to extend the detached aesthetic of these moments to sculpture, paradoxically planning and making with a feeling for the found and the accidental.

geoffreykixmiller.com

&#60;img src="http://payload.cargocollective.com/1/4/150276/2224987/Geoff1SM.jpg" border="0" width="670" height="503" width_o="670" height_o="503" src_o="http://payload.cargocollective.com/1/4/150276/2224987/Geoff1SM_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/4/150276/2224987/Goeff2SM.jpg" border="0" width="670" height="503" width_o="670" height_o="503" src_o="http://payload.cargocollective.com/1/4/150276/2224987/Goeff2SM_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/4/150276/2224987/Geoff3SM.jpg" border="0" width="670" height="503" width_o="670" height_o="503" src_o="http://payload.cargocollective.com/1/4/150276/2224987/Geoff3SM_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/4/150276/2224987/Geoff9SM.jpg" border="0" width="670" height="503" width_o="670" height_o="503" src_o="http://payload.cargocollective.com/1/4/150276/2224987/Geoff9SM_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/4/150276/2224987/Geoff4SM.jpg" border="0" width="670" height="503" width_o="670" height_o="503" src_o="http://payload.cargocollective.com/1/4/150276/2224987/Geoff4SM_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/4/150276/2224987/Geoff5SM.jpg" border="0" width="670" height="503" width_o="670" height_o="503" src_o="http://payload.cargocollective.com/1/4/150276/2224987/Geoff5SM_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/4/150276/2224987/Geoff6SM.jpg" border="0" width="670" height="503" width_o="670" height_o="503" src_o="http://payload.cargocollective.com/1/4/150276/2224987/Geoff6SM_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/4/150276/2224987/Geoff7SM.jpg" border="0" width="670" height="503" width_o="670" height_o="503" src_o="http://payload.cargocollective.com/1/4/150276/2224987/Geoff7SM_o.jpg" align="left" /&#62; 
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	<item>
		<title>Target Language</title>
		<link>http://www.appendixspace.com/Target-Language</link>
		<comments>http://www.appendixspace.com/following/appendixspace.com/Target-Language</comments>
		<pubDate>Sun, 06 Nov 2011 02:09:49 +0000</pubDate>

		<dc:creator>Appendix Project Space</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">2259067</guid>
		<description>Target Language
Appendix Project Space @ 937 - 937 NW Glisan Street, Portland, Oregon
November 3rd - 26th, 2011

Target Language is a collection of videos from Andrew Norman Wilson, Anne de Vries, Harm van den Dorpel, and Oliver Laric. Appropriating visual material from tech marketing, Disney movies and the decorative arts, language from pop culture and philosophy, and even cannibalizing their own work, these artists investigate continuities so familiar as to be invisible. History repeats itself, images are torn down and redeployed, and evolutionary strategies move freely between the natural and the technological. Taken as guided meditations or video essays, these are conceptual lenses on a world that is both wildly interconnected and awash with competing perspectives on what has come before.

&#60;img src="http://payload.cargocollective.com/1/4/150276/2259067/Anne1colorWeb.jpg" border="0" width="670" height="503" width_o="670" height_o="503" src_o="http://payload.cargocollective.com/1/4/150276/2259067/Anne1colorWeb_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/4/150276/2259067/Anne2colorWeb.jpg" border="0" width="670" height="503" width_o="670" height_o="503" src_o="http://payload.cargocollective.com/1/4/150276/2259067/Anne2colorWeb_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/4/150276/2259067/Anne3colorWeb.jpg" border="0" width="670" height="503" width_o="670" height_o="503" src_o="http://payload.cargocollective.com/1/4/150276/2259067/Anne3colorWeb_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/4/150276/2259067/Harm1colorWeb.jpg" border="0" width="670" height="503" width_o="670" height_o="503" src_o="http://payload.cargocollective.com/1/4/150276/2259067/Harm1colorWeb_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/4/150276/2259067/Harm2colorWeb.jpg" border="0" width="670" height="503" width_o="670" height_o="503" src_o="http://payload.cargocollective.com/1/4/150276/2259067/Harm2colorWeb_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/4/150276/2259067/Harm3colorWeb.jpg" border="0" width="670" height="503" width_o="670" height_o="503" src_o="http://payload.cargocollective.com/1/4/150276/2259067/Harm3colorWeb_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/4/150276/2259067/Norm1colorWeb.jpg" border="0" width="670" height="503" width_o="670" height_o="503" src_o="http://payload.cargocollective.com/1/4/150276/2259067/Norm1colorWeb_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/4/150276/2259067/Norm2colorWeb.jpg" border="0" width="670" height="503" width_o="670" height_o="503" src_o="http://payload.cargocollective.com/1/4/150276/2259067/Norm2colorWeb_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/4/150276/2259067/Norm3colorWeb.jpg" border="0" width="670" height="503" width_o="670" height_o="503" src_o="http://payload.cargocollective.com/1/4/150276/2259067/Norm3colorWeb_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/4/150276/2259067/Norm5colorWeb.jpg" border="0" width="670" height="503" width_o="670" height_o="503" src_o="http://payload.cargocollective.com/1/4/150276/2259067/Norm5colorWeb_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/4/150276/2259067/Oliver1ColorWeb.jpg" border="0" width="670" height="503" width_o="670" height_o="503" src_o="http://payload.cargocollective.com/1/4/150276/2259067/Oliver1ColorWeb_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/4/150276/2259067/Oliver3colorWeb.jpg" border="0" width="670" height="503" width_o="670" height_o="503" src_o="http://payload.cargocollective.com/1/4/150276/2259067/Oliver3colorWeb_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/4/150276/2259067/Oliver4colorWeb.jpg" border="0" width="670" height="503" width_o="670" height_o="503" src_o="http://payload.cargocollective.com/1/4/150276/2259067/Oliver4colorWeb_o.jpg" align="left" /&#62; 


Andrew Norman Wilson


Anne de Vries


Harm van den Dorpel


Oliver Laric

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	<item>
		<title>Kyle Thompson</title>
		<link>http://www.appendixspace.com/Kyle-Thompson</link>
		<comments>http://www.appendixspace.com/following/appendixspace.com/Kyle-Thompson</comments>
		<pubDate>Sun, 06 Nov 2011 02:09:21 +0000</pubDate>

		<dc:creator>Appendix Project Space</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">2259053</guid>
		<description>Kyle Thompson
Altering the Bathymetry of Walker Lake, Nevada
November 5th, 2011

In Altering the Bathymetry of Walker Lake, Nevada, Thompson uses a 14-hour performance to bring past and present selves into simultaneity, allowing exhaustion to strip away internal barriers. Subjectively, the skipping of ten thousand rocks fluctuated from trivial to profound to purely happening, culminating in unexpected cathartic release. Churning together youthful physicality, childhood play, and a mature understanding of physical reality, the spectacle of the performance is balanced by softer implications of lost time, atavism, and our mechanisms of emotional response.

Kyle J. Thompson was born in Arizona in 1985. He is a founder and director of 12128, an arts space in Portland, teaches chemistry at Lewis &#38; Clark College, and works on commercial fishing boats in the Gulf of Alaska. His practice is centered in performance and sculptural work, and is influenced by scientific thought, punk rock, and hard work.

www.12128boatspace.com/




&#60;img src="http://payload.cargocollective.com/1/4/150276/2259053/kyle3SM.jpg" border="0" width="670" height="503" width_o="670" height_o="503" src_o="http://payload.cargocollective.com/1/4/150276/2259053/kyle3SM_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/4/150276/2259053/Kyle1SM.jpg" border="0" width="670" height="503" width_o="670" height_o="503" src_o="http://payload.cargocollective.com/1/4/150276/2259053/Kyle1SM_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/4/150276/2259053/Kyle4SM.jpg" border="0" width="670" height="503" width_o="670" height_o="503" src_o="http://payload.cargocollective.com/1/4/150276/2259053/Kyle4SM_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/4/150276/2259053/kyle5SM.jpg" border="0" width="670" height="503" width_o="670" height_o="503" src_o="http://payload.cargocollective.com/1/4/150276/2259053/kyle5SM_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/4/150276/2259053/kyle6SM.jpg" border="0" width="670" height="503" width_o="670" height_o="503" src_o="http://payload.cargocollective.com/1/4/150276/2259053/kyle6SM_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/4/150276/2259053/kyle7SM.jpg" border="0" width="670" height="503" width_o="670" height_o="503" src_o="http://payload.cargocollective.com/1/4/150276/2259053/kyle7SM_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/4/150276/2259053/kyle9SM.jpg" border="0" width="670" height="503" width_o="670" height_o="503" src_o="http://payload.cargocollective.com/1/4/150276/2259053/kyle9SM_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/4/150276/2259053/kyle10SM.jpg" border="0" width="670" height="503" width_o="670" height_o="503" src_o="http://payload.cargocollective.com/1/4/150276/2259053/kyle10SM_o.jpg" align="left" /&#62; 

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	<item>
		<title>Chris Lawrence</title>
		<link>http://www.appendixspace.com/Chris-Lawrence</link>
		<comments>http://www.appendixspace.com/following/appendixspace.com/Chris-Lawrence</comments>
		<pubDate>Sat, 15 Oct 2011 01:56:16 +0000</pubDate>

		<dc:creator>Appendix Project Space</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">2104165</guid>
		<description>Chris Lawrence
heliogeist antennae
September 29th, 2011

Lawrence's work is site-specific, a product of time, labor and the circumstances that present themselves during the process of making. He suggests spaces of frustrated and mysterious function, where viewers are implicated as interlopers in an environment hovering on the line of the sinister. Lawrence combines construction stock with re-purposed consumer goods, found objects, light, and sound, tapping simultaneously into the material network that surrounds us and the expanding narrative that links each of his sites.

Chris Lawrence was born in rural upstate New York in 1976 and holds an MFA from the University of Pennsylvania. He has shown his work in New York, Philadelphia, Washington, D.C. and Melbourne, Australia. In 2010 Lawrence was awarded a one-year studio residency at AirSpace in Philadelphia and was also a 2011 visiting artist-in-residence with the Delphi Art Futures Program at the Philadelphia Museum of Art.

&#60;img src="http://payload.cargocollective.com/1/4/150276/2104165/appendix.09sm.jpg" border="0" width="600" height="450" width_o="600" height_o="450" src_o="http://payload.cargocollective.com/1/4/150276/2104165/appendix.09sm_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/4/150276/2104165/appendix.02.jpg" border="0" width="600" height="450" width_o="600" height_o="450" src_o="http://payload.cargocollective.com/1/4/150276/2104165/appendix.02_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/4/150276/2104165/chrisSM2.jpg" border="0" width="600" height="450" width_o="600" height_o="450" src_o="http://payload.cargocollective.com/1/4/150276/2104165/chrisSM2_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/4/150276/2104165/appendix.03.jpg" border="0" width="600" height="450" width_o="600" height_o="450" src_o="http://payload.cargocollective.com/1/4/150276/2104165/appendix.03_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/4/150276/2104165/appendix.05sm.jpg" border="0" width="600" height="450" width_o="600" height_o="450" src_o="http://payload.cargocollective.com/1/4/150276/2104165/appendix.05sm_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/4/150276/2104165/appendix.06.jpg" border="0" width="600" height="450" width_o="600" height_o="450" src_o="http://payload.cargocollective.com/1/4/150276/2104165/appendix.06_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/4/150276/2104165/appendix.08sm.jpg" border="0" width="600" height="450" width_o="600" height_o="450" src_o="http://payload.cargocollective.com/1/4/150276/2104165/appendix.08sm_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/4/150276/2104165/appendix.04.jpg" border="0" width="600" height="450" width_o="600" height_o="450" src_o="http://payload.cargocollective.com/1/4/150276/2104165/appendix.04_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/4/150276/2104165/appendix.01sm.jpg" border="0" width="600" height="450" width_o="600" height_o="450" src_o="http://payload.cargocollective.com/1/4/150276/2104165/appendix.01sm_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/4/150276/2104165/ChrisSM3.jpg" border="0" width="600" height="450" width_o="600" height_o="450" src_o="http://payload.cargocollective.com/1/4/150276/2104165/ChrisSM3_o.jpg" align="left" /&#62; 
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	<item>
		<title>Sarah Johnson</title>
		<link>http://www.appendixspace.com/Sarah-Johnson</link>
		<comments>http://www.appendixspace.com/following/appendixspace.com/Sarah-Johnson</comments>
		<pubDate>Thu, 22 Sep 2011 16:04:46 +0000</pubDate>

		<dc:creator>Appendix Project Space</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">2040161</guid>
		<description>Sarah Johnson
"Sarah Johnson is in search of a trumpet, trombone, or sax player for a Sade cover."
August 25th, 2011

www.sarahnjohnson.com

&#60;img src="http://payload.cargocollective.com/1/4/150276/2040161/sjSM1.jpg" border="0" width="600" height="450" width_o="600" height_o="450" src_o="http://payload.cargocollective.com/1/4/150276/2040161/sjSM1_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/4/150276/2040161/sjSM10.jpg" border="0" width="600" height="450" width_o="600" height_o="450" src_o="http://payload.cargocollective.com/1/4/150276/2040161/sjSM10_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/4/150276/2040161/sjSM9.jpg" border="0" width="600" height="450" width_o="600" height_o="450" src_o="http://payload.cargocollective.com/1/4/150276/2040161/sjSM9_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/4/150276/2040161/sjSM5.jpg" border="0" width="600" height="450" width_o="600" height_o="450" src_o="http://payload.cargocollective.com/1/4/150276/2040161/sjSM5_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/4/150276/2040161/sjSM6.jpg" border="0" width="600" height="450" width_o="600" height_o="450" src_o="http://payload.cargocollective.com/1/4/150276/2040161/sjSM6_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/4/150276/2040161/sjSM8.jpg" border="0" width="600" height="450" width_o="600" height_o="450" src_o="http://payload.cargocollective.com/1/4/150276/2040161/sjSM8_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/4/150276/2040161/sjSM7.jpg" border="0" width="600" height="450" width_o="600" height_o="450" src_o="http://payload.cargocollective.com/1/4/150276/2040161/sjSM7_o.jpg" align="left" /&#62; 
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	</item>
		
		
	<item>
		<title>Sanela Jahic</title>
		<link>http://www.appendixspace.com/Sanela-Jahic</link>
		<comments>http://www.appendixspace.com/following/appendixspace.com/Sanela-Jahic</comments>
		<pubDate>Thu, 22 Sep 2011 06:02:32 +0000</pubDate>

		<dc:creator>Appendix Project Space</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">2009896</guid>
		<description>Sanela Jahic
Passengers from the Relative to the Absolute
August 25th, 2011

Distilling the essential powers claimed by various modes of creation - painting's living evidence of touch, or the power of the word to remake the past - Jahić creates for herself situations of enhanced mechanical advantage, suspending the painting at a theoretical distance for interrogation and transformation.

Sanela Jahic, (b. 1980, Kranj) studied at the Academy of Fine Arts and Design in Ljubljana, Slovenia where she received a BA in Painting. She went on to receive an MFA in Public Art and New Artistic Strategies at the Bauhaus University in Weimar, Germany. Her work has been exhibited in Slovenia, Russia, Germany and Japan. This is her first exhibition in the United States.

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		<wfw:commentRss></wfw:commentRss>

	</item>
		
		
	<item>
		<title>Katie Shelly</title>
		<link>http://www.appendixspace.com/Katie-Shelly</link>
		<comments>http://www.appendixspace.com/following/appendixspace.com/Katie-Shelly</comments>
		<pubDate>Wed, 21 Sep 2011 21:51:31 +0000</pubDate>

		<dc:creator>Appendix Project Space</dc:creator>
		
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		<description>Katie Shelly
Paragon+
August 11th, 2011

Paragon+ is an absolute installation about the ever-arriving fantasy of digital utopia. In an idyllic future where technology enables everyday people to oust dictators, to fully fund a feature film in a week, or to be (tele)present on all seven continents at once, how does an ideal citizen look? Thought leaders often map social ideals onto the human form. If 19th and 20th century societies were embodied by archetypes like the yeoman-farmer, the artisan-scholar, and the citizen-soldier, will the 21st century paragon be a hacker-amputee? A videographer-coder-forager? Serene &#38; despotic, Paragon+ suggests that a dematerialized future includes a drastic re-visualization of the body politic.

Katie Shelly is a New York based multimedia artist.

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</description>
		<wfw:commentRss></wfw:commentRss>

	</item>
		
		
	<item>
		<title>Midori Hirose</title>
		<link>http://www.appendixspace.com/Midori-Hirose</link>
		<comments>http://www.appendixspace.com/following/appendixspace.com/Midori-Hirose</comments>
		<pubDate>Wed, 21 Sep 2011 21:45:28 +0000</pubDate>

		<dc:creator>Appendix Project Space</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">2038463</guid>
		<description>August 26th, 2010

www.midorihirose.us

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		<wfw:commentRss></wfw:commentRss>

	</item>
		
		
	<item>
		<title>Elizabeth McClellan</title>
		<link>http://www.appendixspace.com/Elizabeth-McClellan</link>
		<comments>http://www.appendixspace.com/following/appendixspace.com/Elizabeth-McClellan</comments>
		<pubDate>Wed, 21 Sep 2011 21:41:13 +0000</pubDate>

		<dc:creator>Appendix Project Space</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">2038423</guid>
		<description>Sediment

www.elizabethmcclellan.com

&#60;img src="http://payload.cargocollective.com/1/4/150276/2038423/7_sed1.jpeg" border="0" width="402" height="600" width_o="402" height_o="600" src_o="http://payload.cargocollective.com/1/4/150276/2038423/7_sed1_o.jpeg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/4/150276/2038423/7_sed3.jpeg" border="0" width="402" height="600" width_o="402" height_o="600" src_o="http://payload.cargocollective.com/1/4/150276/2038423/7_sed3_o.jpeg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/4/150276/2038423/7_sed4.jpeg" border="0" width="402" height="600" width_o="402" height_o="600" src_o="http://payload.cargocollective.com/1/4/150276/2038423/7_sed4_o.jpeg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/4/150276/2038423/7_sed5.jpeg" border="0" width="600" height="402" width_o="600" height_o="402" src_o="http://payload.cargocollective.com/1/4/150276/2038423/7_sed5_o.jpeg" align="left" /&#62; 

</description>
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